I love how humans have literally not changed throughout history like the graffiti from Pompeii has people from hundreds of years ago writing stuff like “Marcus is gay” “I fucked a girl here” “Julius your mum wishes she was with me” and leonardo da vinci’s assistants drew dicks in their notebooks just for the banter and mozart created a piece called “kiss my ass” so when people wish for ‘today’s generation’ to be like ‘how people used to’ then we’re already there buddy we’ve always been
The Hagia Sophia has inscriptions that were considered sacred for centuries until they were deciphered in the 70s to be Nordic runes saying “Halfdan wrote this”
my old english prof told us that theres a cave in Scandinavia where a viking gratified some runes like 14 feet up on the wall and when they finally reached it all it translated into was “this is very high”
Ancient Shitposting
Now on the History Channel
‘People have literally just always been people’ is genuinely my favorite fact about the world
“Times are bad. Children no longer obey their parents, and everyone is writing a book.” – Marcus Tullius Cicero, 106 BC – 43 BC
if you’ve ever wondered what it’s like to live in the midwest, this is it.
You missed some of the best ones
the best part about it is that the art installation isn’t actually called the Bean. It’s called Cloud Gate, and artist Anish Kapoor (yes, THAT Anish Kapoor) hates that we call it the Bean.
But i mean, look at it. It’s a bean.
How could you forget this one though
I HAD NO FUCKING IDEA THAT THE BEAN WAS CREATED BY ANISH KAPOOR.
someone help me why is anish kapoor important what did he do?
Alright sit down for some Art World Drama bcause this is what I live for.
So, sometime last year (?) science invented Vantablack, which is the darkest possible shade of black. Art world got incredibly excited. But as it needs to be very carefully made in a lab, it’s hard to get a hold of, and is extremely expensive. Enter Anish Kapoor, aka FuckFace McGee. Anish Kapoor buys the rights to Vantablack. He is the only human being on the planet that can legally use it, and he’s kind of a prick about it.
Art world is not thrilled with that.
Enter Stuart Semple.
Stuart Semple is an artist, and also makes pigments to sell in his free time. Stuart Semple is astoundingly pissed about this Vantablack nonsense, and Anish Kapoor’s dickery. Stuart Semple makes a new pigment, the brightest shade of pink ever, called Pinkest Pink, and puts it for sale on the internet. To be bought by everybody except Anish Kapoor. Literally, to purchase, you need to confirm that you are not Anish Kapoor, do not associate with him, and will not sell or give the pigment to Anish Kapoor or his associates. Art world has a good laugh, everyone buys Pinkest Pink because it’s awesome, and damn it we deserve something.
Anish Kapoor however is a penis, and will not take this lying down, because HOW DARE he not have literally everything.
Anish Kapoor gets his London associates to buy him a thing of Pinkest Pink, and being such a classy human being, posts a picture to instagram of him with his middle finger covered in Pinkest Pink, captioned with “Up yours. #pink”
Everyone flips shit, because. Y’know. Fuck that guy. Especially Stuart Semple. For context here, Anish Kapoor is one of the richest artists on the planet, and has repeatedly been referred to as everything wrong with the art world, and the epitome of the art worlds elitism problem. He’s a giant douchebag. Meanwhile Stuart Semple makes pigments just to get them out there. He turns 0 profit from his now enourmously popular pigments.
Stuart Semple launches an investigation as to who the fuck leaked Pinkest Pink, and plans to strike back. He does so by releasing two new products. First is Diamond Dust, which is a glitter made from glass, so that a painting is still visible after it’s applied, but glitters like a mofo. It’s the most reflective glitter out there, and is available to everyone who isn’t Anish Kapoor. And it being made of glass, if you stick your finger in there, it’s going to hurt quite a bit, so that was Stuart Semple’s way of saying “shove your middle finger in this, asshole, see what happens”. Except without saying that, because he can get an insult across while still being fucking classy.
He also releases Black 2.0, created with the help of over a thousand artists worldwide.
Black 2.0 is the answer to Vantablack. Black 2.0 is a slightly less black black, but looks functionally the same to the human eye. It’s completely safe, smells like cherries, and costs four pounds. Vantablack is highly toxic, potentially explosive, needs to be applied in a special laboratory and sealed properly, can’t be moved across borders, can reach 300 degrees celsius if you’re not extremely careful, and costs thousands of dollars. Anish Kapoor is the only human being who can use Vantablack. He is the only human being who cannot use Black 2.0.
So I think we can guess who got the better deal.
And thus the feud ends, Kapoor defeated.
…But not quite.
Kapoor, in this entire afair, has made exactly two comments to the public. The first being his charming message about aquiring Pinkest Pink, the second being claiming to Buzzfeed that he and his small army of lawyers will be suing Semple, an extremely poor artist who cannot afford a lawyer.
No lawsuit has been made yet, fyi.
The point is, Kapoor is a prick, and doesn’t like talking to the lower classes. So one day in July 2017, he decides he needs another floor on his London studio apartment, and starts making arrangements to have it built. His neighbors are fucking pissed, because this will ruin the light of their apartments. They call to Semple to save them, or at the very least piss Kapoor off some more.
Semple answers to the call, and releases two new paints, Phaze and Shift, as always, banned to Kapoor. They change colours, Phaze with temperature, and Shift is just iridescent. Shift needs to be painted over Black 2.0 to work, and Phaze just works on its own.
So that’s been the art world for the last two years.
Basically, get fucked Anish Kapoor your bean sucks and so does your vantablack.
These updates are a gift, thank you
I was really hoping this story would end with Anish Kapoor’s neighbors painting their houses in Phaze and Shift. I guess there’s still time.
i think a sure sign of being a grown up is shifting your focus away from the titular character who wants to flirt you out the window with stories of adventures, friendships, and mermaids
and instead asking questions like, “what about the origin of james hook? how did he come to be on the island? why do so many people ignore the many facets of his personality and instead only focus on one aspect of his character?”
he’s a very complex man. he studied at eton, practicing good form, grace, and politeness. he uses it to his advantage when he’s trying to get wendy and the boys to join his crew. but that’s not how he always is. he’s also – through the filter of disney – scared out of his wits whenever he hears the ticking noise; this can lend to general silliness and comedy. but that’s not how he always is. he’s also known to kill members of his own crew in cold blood. but that’s not how he always is.
so many different, distinct personality traits in one man. and people are content to reduce him to a one-dimensional, flat character.
perhaps the most interesting bit of all, i think. is his relationship with the darling children – wendy in particular. it’s quite clear that she’s infatuated with him. some may even argue that there’s an attraction there. but in the vast majority of the adaptations – going all the way back to the debut performance in the early 1900s – the actor who plays hook also plays mister darling. what does that mean? what was barrie’s intent? there’s definitely nothing to suggest pedophilia; hook doesn’t seem to be interested in wendy at all. he may not even like her. instead, he’s really just using her to get to peter and nothing more. and there’s no subtext leading us to believe wendy has an “unnatural” relationship with her father; despite sharing an actor, the two characters couldn’t be any more different. so what exactly is the nature of their relationship?
on a whole, why isn’t hook explored more? why hasn’t he gotten his own movie? his own story? there’s a great opportunity to explore psychology and philosophy, and it’s all getting squashed by mediocre retellings and adaptations that don’t make any sense.
for shame.
the simple act of being in love with you is enough for me.
and maybe that’s why I don’t quite know when I fell
it’s as though my heart slipped from my grasp the minute I saw you
and you have made me completely yours
and every time I look at you, I become a little filled with you
and if I could, I would have everything
the crazy late night where laughter lives and our love outshines stars
the sleepy mornings where the sheets get tangled between our feet
the moments when you need someone to save you
the moments when you pick up the sword and fight for yourself
because every moment with you is part of a glorious fairytale
and I plan to be wherever you are
watching you take over the world like you overtook my smile
one smile at a time
but I’ve never told any of this
and all I’ve ever wanted is your happiness
so darling
you’re off the hook.
there was a girl once in his dreams, and he thought he’d adore her there were girls once in the oceans, and he thought he’d admire them there was the sea in all its beauty and vastness, and he thought he’d venerate it of course there was a monster in his story, a boy, not older as a teen who came and took the only thing that he treasured more than anything the captain lost more than a hand that night now he wastes his days in the darkness to find his freedom again
heres no use hiding it every single god damn link going around on april 1st is gonna be a rick roll. you already know its gonna be a rick roll and yet you still click on it
So the other night during D&D, I had the sudden thoughts that:
1) Binary files are 1s and 0s
2) Knitting has knit stitches and purl stitches
You could represent binary data in knitting, as a pattern of knits and purls…
You can knit Doom.
However, after crunching some more numbers:
The compressed Doom installer binary is 2.93 MB. Assuming you are using sock weight yarn, with 7 stitches per inch, results in knitted doom being…
3322 square feet
Factoring it out…302 people, each knitting a relatively reasonable 11 square feet, could knit Doom.
Hi fun fact!!
The idea of a “binary code” was originally developed in the textile industry in pretty much this exact form. Remember punch cards? Probably not! They were a precursor to the floppy disc, and were used to store information in the same sort of binary code that we still use:
Here’s Mary Jackson (c.late 1950s) at a computer. If you look closely in the yellow box, you’ll see a stack of blank punch cards that she will use to store her calculations.
This is what a card might look like once punched. Note that the written numbers on the card are for human reference, and not understood by the computer.
But what does it have to do with textiles? Almost exactly what OP suggested. Now even though machine knitting is old as balls, I feel that there are few people outside of the industry or craft communities who have ever seen a knitting machine.
Here’s a flatbed knitting machine (as opposed to a round or tube machine), which honestly looks pretty damn similar to the ones that were first invented in the sixteenth century, and here’s a nice little diagram explaining how it works:
But what if you don’t just want a plain stocking stitch sweater? What if you want a multi-color design, or lace, or the like? You can quite easily add in another color and integrate it into your design, but for, say, a consistent intarsia (two-color repeating pattern), human error is too likely. Plus, it takes too long for a knitter in an industrial setting. This is where the binary comes in!
Here’s an intarsia swatch I made in my knitwear class last year. As you can see, the front of the swatch is the inverse of the back. When knitting this, I put a punch card in the reader,
and as you can see, the holes (or 0′s) told the machine not to knit the ground color (1′s) and the machine was set up in such a way that the second color would come through when the first color was told not to knit.
tl;dr the textiles industry is more important than people give it credit for, and I would suggest using a machine if you were going to try to knit almost 3 megabytes of information.
It goes beyond this. Every computer out there has memory. The kind of memory you might call RAM. The earliest kind of memory was magnetic core memory. It looked like this:
Wires going through magnets. This is how all of the important early digital computers stored information temporarily. Each magnetic core could store a single bit – a 0 or a 1. Here’s a picture of a variation of this, called rope core memory, from one NASA’s Apollo guidance computers:
You may think this looks incredibly handmade, and that’s because it is. But these are also extreme close-ups. Here’s the scale of the individual cores:
The only people who had the skills necessary to thread all of these cores precisely enough were textile and garment workers. Little old ladies would literally thread the wires by hand.
And thanks to them, we were able to land on the moon. This is also why memory in early computers was so expensive. It had to be hand-crafted, and took a lot of time.
Don’t underestimate the impact craft has had on our culture
We Are What We Feel 